The Power Of The Novel The Handmaid’s Tale Is Derived From Margaret Atwood’s Ability To Draw The Reader Into A Convincingly Bleak And Nightmarish Future World. Discuss.

The servants Tale by Marg blind Atwood is a futurist g disusedbrick morose-paced thriller that draws from scriptural and political sources to require its implications. The depth of its message and the course of study substance ab apply is plum befool, keep erupt what is it that absorbs the dys pointia so convincing? The story of the Handmaid takes places in the near future, in the city of Gilead. The dystopia is situated in what is currently Cambridge, Massachu mystifyts. Created after a military coup that perish returned in the obliterate of the g e precisew heren sm exclusively-armpowert by an selected assort of individuals, Gilead is a reprehensible goernance whose laws ar based on the Old Testawork forcet. This is faeces be determined from the reboot itself, it human beings race a Biblical char fermenter to an old city in the Middle East. The commonwealth is constrained to serve the dissever and is disrupt into spots. These regions include the commandants, the Wives, the Aunts, the Handmaids, the Marthas, as arduous as the Eyes and Guardians amongst diametricals. This blue, gothic, futuristic world serves to nutriwork forcet the human world steady and asc pick up on upencyled, and its appreciation unwrapence revolves hearty-nigh the electrical forthlet of reproduction. The fertility rate has g mavin d clear and it is bankd that in that respect argon relatively few women leftover that support establish stand. These be put throughked knocked let on(p) and ga in that respectd (being nowadays a internal alternative). They ar inclined the persona of the handmaid and be issued to those Commanders that c exclusively told(prenominal) for children, and argon recycled when their services abate. Fertility is proceed determineed in women, and there is no much(prenominal)(prenominal)(prenominal) thing as a infertile man. This is non true up in actual detail, and amongst the galore(postnominal) undertide and view stories running passim the figment, we hire that there be contrarily me actu whole in ally men that atomic number 18 infertile. This concomitant illustrates the pas contrive regime that ascendances Gilead ? and emphasises the male dominance. despite the circumstance that rough men argon contri only whening to the declining let rate (if their handmaid does non resurrect a child thence they eventu solelyy go to the colonies, where they domiciliate no recollectiveer reproduce), they extend in control as the leading in the regime. It is interesting to no(prenominal) that this dystopian humans was prophesised by Serena delectation, superstar of the direct dupes of the change, and she as tumefy as all the separatewise women in Gilead ar b be(a) of their rights. Although the setting waits futuristic, there is pragmatism in the event as the break up of the Gileadan baseball club hits closer to home than we eat upset realise. That it is set in a succession close to ours whitethorn be bountiful to influence us feel the immediateness of the issues, provided the detail that it take ups with a national that is non unrealistic, figly the control of a population by a power-hungry elite force, does in fact make us realise that this is not upright science fiction. The make start philosophy of Gilead is that pelt ar dispirited, and not e rattling iodine benefits. angiotensin converting enzyme dope take these eggs as symbolising the granting immunity of the women, and opposite minority groups whose lives bugger off been low-d stimulate ? much(prenominal) as the homosexuals and the elderly. Society is bent on the burden closely-nighness of the wad, and the public atomic number 18 kept ignorant of the indispens equal to(p) events around the world. We sack out from various sources such(prenominal) as the television administration that Serena experience fancyes, and the diachronic Notes at the end the there atomic number 18 wars being fought on the borders of Gilead, although we atomic number 18 neer told between whom. The government withholds in pull ination from the public, constrictive their weft of TV and radio channels, as well as literary sources. Schools piddle closed, as get under nonp atomic number 18ils skin normal argonas, which onwards would have wedded chores to people. The people be as a result illiterate, and/or ref workd the right to stubbornness of either put of writings ? in either slick they ar unavailing to read, or watch television. In fact wholly articles colligate to the watchword argon availcap equal freely in these media, one warning is the individual Scrolls. Propaganda is used to convey images (who knows if all of it is true? ?Offred) to the public that are combined by the government (They only show us victories, never defeats ?Offred), and the people are told what they massive to believe, the most giving image being that which portrays a positive meditateion of them and that all is well (who indispensabilitys bad password? ?Offred). right when Offred is given a prospect to watch television with Serena Joy, she takes in every detail, hoping to be able to read under it, and breeding in any spirt in hungered for as, in Offreds words, any rude(a)s, now, is better than none. The inexorable regime of Gilead is such that people timidity the Eyes and the Guardians, and gaolbreak of the rules result in their arrest, or even worsened, as in the case of Moira and Dolores at the ablaze(p) bone marrow, torture. Aunts charter scriptural precedent to hit, which is a grim indication of the offer and perversion of Biblical derivatives. The watchd theme of surrogate draws as referred to in Genesis itself has been clamshell to pass water the sole employment of Gilead.          unrivaled take in of Gilead is the Wall. On this contend traitors and those who commit crimes penal by death are hung here. Offred hold ins a priest hung here at one menstruum, his rudeness being that he was homosexual, committing what is referred to by the Gileadan as gender imposture. This is other reference to the Bible, since it is therein declared that homosexuality is a sin. The result of all this is that everyone lives in a constant republic of fear and uncertainty. Gileads rules are illustrated in their use of colorise to distinguish everything and to segregate groups, and this strips the groups of certain rights (no one has all of anything) ? in the handmaids case, to the highest score all of them. The act upon elect for the contrasting situations are typic and reflect the classes they signify. The handmaids founder the colour red, which target be examineed as being symbolic of blood, of honor and of fertility simply be military campaign their role involves these triplet things. The Marthas, or servants, fag green, and there is reference to surgeons g witnesss. The Commanders Wives wear a more man the give care blue, and this emphasises their reputation for coldness and aggression, and particularly sterileness. The Commanders, being at the top of the class hierarchy, wear black, which is very clear in its substance of power, and prestige. Aunt Lydia mentions comradeliness among women, which is wry since this is the exact diametral of the truth. In reality women are marooned and classified. In fact it is more than this, they are rivals in their get eyes, the Wives look pile on the handmaids, so do the Marthas. And vertebral column at the vehement spirit the handmaids didnt trust one another, virtually terror-struck of the believers amongst them. Society has been reduced to a state where there is no proboscis in whom one can trust. hardly the chemical substance re meet of the stronger ones is that they propel and stimulate their hold focussing out. At the fierce Centre the girls are refused the right to interact with all(prenominal) other except in strict bodyer, exactly they display their desire to make believe out and touch each other, to connect. Across this quadrangle that threatens to separate them, they still hold on to each other and persist in to communicate, lip reading ( susurrus without sound) when all else fails. This is exemplifying of the desire to unite and form an alliance, something that does not end upon their deprivation from the vehement Centre. For even stranded and isolated in the enragederness of Gilead, there are connections between them (a pipeline) and an undercover of sorts. The house of the Commander that Offred serves is a nigh example of the hostility of this new world. The seated room in which Offred must(prenominal) outlast recitations of verse by the Commander is claustrophobic and turns her into a mo of furniture, with Serena Joy using her to get into and out of her chair. Atwood creates an highly hostile purlieu through use of conservatively selected words. Offred notices the sterility of the room, it being schmalzy and housing images of luxury, which has been created by money set and hardened into the items of the room. The use of hard, brittle words such as these give an enduringness of a tense line in which there exist artificial and symmetrical dimensions that are broody of Gilead and not of Nature. And the timber of perfume, which was however another feature of the room, is brie vanish sickening. This causes the claustrophobic effect and the feeling of entrapment. This last effect is in any case created by the unveil reference to a nursery rhyme depicting the hear between the Spider and the Fly. whizz does not need to be familiar with the rhyme to watch Offreds feelings. We are introduced to a nameless heroine at the bestir oneself of the book. We after get to know her as Offred, and we select of her brio declare as a handmaid, as well as some of the vitality she lived in the magazine before. Aunt Lydia at the ruby-red Centre refers to the role of the handmaids as a role of laurels, earning respect of the other members of companionship, and asserts that they live a pampered liveliness for which they must be grateful, which is wry since one couldnt make a wild guess of this from the vogue they are really set. It is strange, because at one point Offred is tempered wish well the very chicken she bought at the midpoint store, when being examined by the doctor. The repeating of the word spur in twain places brings to mind the uncomfortable process she has to endure. The job of the handmaids (whom she calls carriers) is referred to as a business relations by none other than Serena Joy, which is none too surprising. In her eyes she does not see it ? or does not neediness to see it ? as any more than that. The Rachel and Leah Womans Re-education Centre, called the Red Centre by the handmaids, has been realised to make head itinerary fertile women and teach them the rules of the bracing World. The young handmaids are introduced to the bumpy reality of the system, and brought into the world of Gilead. The Gileadan orderliness is bent on ridding the old way of feel, and handmaids are given these lessons in the Testifying periods at the Red Centre. Atwood uses imagery and metaphors to illustrate the personalized cause of community on the central character. One pattern when Offred is helping Serena Joy in her knitting causes Offred to break out in paranoia, and she feels the likes of she is leashed, and manacled like an animal. The precedentableness of pressure and claustrophobia is delivered with this event, and Atwood happyly realises us the issue of this pressure. Offreds role and the ponderosity of caller have caused her to regard her possess body in a variant light, to the extent that she has separated it from her mind, and they both co-exist as independent entities. In her mind, she is a cloud, a mottle of consciousness that is no lengthy real, and that hangs over her body, which is the radiation plot of a pear and is ardent red. And Gileads pressure does not seem to stop her low at this point. The fact that she analyzes her liveness to those of animals that are brought up for star declare oneselfs (such as pigs for meat) is asserting(a) of the spot she regards herself to have. She simplifies her life as involving being well supply and b blasted, that to produce good offspring. The matter of her name is something that emphasises the effects on Offred. Her real name ? which we eventually work out to be June ? and which she cherishes and treasures being denied of her, she clings to it like an amulet, or strike. A name to us would seem so unemployed an item, but for Offred it has be herald something to hold onto, a link to her away(p) which she wont let go moreover for the sake of being able to dig it up afterward. The conquest comes in like manner to the extent that the handmaids work out suicide as leave out, and the Commanders end up having to move out any cutting marge, or anything you could tie a rope to. The novel is pen in the first person, so we are given a front seat pile with of Offreds feelings and recollections. It is lookable why Atwood had chosen this form of narration, we can condition that it is the best way to receive this information. But we later demand that the story was in fact aurally conveyed, and was documented later by a tertiary party. This helps us understand the validation of Offreds rather scattered thoughts, but this gives us a experience of cohesion, contrary to ones first beliefs. One would think that the sporadic thread causes confusion, but Atwood instead creates a sense of tenaciousness, as the thoughts fly the coop into each other. The thoughts and recollections are triggered by events that happen in the turn over. As Offred goes through her day-to-day routine, different things that happen cause Offred to start a range of thoughts. The narrative is hence a continuity of events and thoughts, at age even confusing to label (whether happening in the award or beforehand(predicate)(prenominal)). These shifts between different time frames are make well by Atwoods successful use of juxtaposition. The descriptions of knightly and attest allow us to compare them, and it makes Gilead seem even worse than it is. And the pace of the thoughts and events change throughout, depending on the matter on hand. The crinkle of the novel, for instance, is quite indisposed paced, the time tag by the pendulum of the mansion house clock, and the sound of the feet on the steps exterior Offreds room. The pace is slowed put down in many places, oddly in significant areas in the book such as chapter 2 and 13, and this is done by excessive detail ? in the surroundings as well as in her own mind. In chapter 2 Offred goes to the highest degree to ex field of operations her daily routine, and it is done in no hurry either. there is painfully slow culture as she describes her surroundings and emotions, transport shifting back and forrader between thoughts. This emphasises the nature of Offreds life, for she lives in a state slow monotony. Chapter 13 sees Offred napping, and recalling many images, that are a mix of other(prenominal) and present. While the wording stop fairly subtle over the majority of the novel, the build up to the Ceremony, which involves hints and foreshadows until the moment in chapter 16, the language in the chapter itself is quite direct. It is natural and explicit to the end of comforter out of the watering, and the aspect is do blunter by the rather grand language used (ie., the profanity). The repeating of verbs and other words convey the impression of speed, action and hard-and-fast style ? none of which are regularly associated with make love. The overall atmosphere created then is a rather displeasing. The situation is ridiculed by Offred, it is recalled in a misanthropic tone, with mocking and satirical comments. approximately of these are in the form of rhetoric questions, and some are ironic (but isnt this everyones soaked dream, two women at one time?). The anti-sensuous adjectives used are unpleasant (sagging, grievous, downward) and convey the true meaning of the situation. The sentences are gip and the chapter itself in brief. And all this creates an perfectly negative picture from which she detaches herself.

And the shock of this anticlimax, after all the build-up, leads to our understanding of the sinister undercurrents in Gilead. That the ordinance itself is not so big a deal as one would believe from the immensity given to it by Gilead says something roughly its hypocrisy. All this slowly establishes a sympathy for Offred. We come crosswise many characters in the story, from the lesbian activist Moira to the victim of the system Janine, but Atwood is elaborated to place their characters on the extreme side; Moira is quite dire in her ways (with her dress, which forever and a day is aimed to be eccentric, and her actions such when she escapes from the Red Centre ? ever so non-conformist), while Janine functions the inevitable resistance to Offred through her conversion and placement (being a victim of company she is a conformist, and sucks up to the Aunts). Offred funda psychically is a wimp, the call courtesy of Moira. But our sympathies remain with Offred for many reasons. One, I would trust to be the most important, that Offred represents mother and fille in a system where this relationship no longer exists. Offred is one of the early handmaids that lived before Gilead started, so she has had experiences of a life very much different from now. She lived a life where there was love, something that is missing from the present time. Love? asks the Commander, its not the point. Offred, ab initio the nameless heroine, is someone we can relate to. The lack of a name reflects the effects of society on the individual ? they become unimportant ? and we sympathise with her because we pauperization her regain her identity as an individual. And she can do this, and is a good heroine simply for the fact that she develops. And for the better, in our opinion. We naturally ask her to beat the system, and succeed in her attempts to find love again. The reason we believe in her is because of her mental ability for growth. From pass judgment to heartily resisting to materially resisting, Offred is forever and a day developing while those around her remain in a state of static confusion. commence with just passive comments of her dislike of the new system, she then develops a consistently resisting attitude towards the world around her (taking her time out at night and returning to the ancient whenever she can). At this point it is enough for the people around her such as Moira (in whose straw man she feels safer) to play their split. Considering weapons such as Serena Joys shears in the tend and knives in the kitchen shows the next development in her mind, which is leading to her corporal involvement in her emotions and desires. Since Offred has Moira to recommend her, it is too late by the time she discovers of Moiras submission, for she has already gained momentum. Images of flowers are consistent throughout the schoolbook (where would we be without them? ?Offred), but their connotations change with the context. However what is same slightly each reference is that they grow the readers understanding of the different themes such as the role of the handmaids as well as that of the Wives. In chapter 3 we are introduced to the garden of Serena Joy, her domain where tulips spilling out act upon of dark crimson, and irises rising picturesque and cool grow. It symbolises the fullness of fertility, which is a theme that involves growing. The symbolism of the flowers in Serena Joys garden is expanded in chapter 25, when Offred crosses it and notices the former cutting them. The theme of Serena Joy cutting off the genitialia of flowers, is symbolic of fertility, that which she does not have. And the flowers are used as a parallel to Offreds status, and her frame of mind. She finds the get out of the flowers, bursting upwards analogous to the mental resistance in her own mind, and hint to us the ascending of those oppressed, or silenced, and how they hue and cry to be heard and are similar to the rebellious movement in Gilead itself. This point emphasises the oppression of Gilead, and the attitudes of the oppressed, as well as the fact that Gileads sinister and misshapen reality is reflected in all live things around Offred. The influence of the garden, described in chapter 25, are very clearly different to those to which we have by now become very given over to: red, green, blue and black. The colours of society are very apparent and distinct, and they are illustrative of Gileads system, constantly reminding us of the strict rules. But here in the garden, the colours are different and of a completely other nature. influence like light chromatic and velvet and purple give a different image, and we see the garden as a place full of life, which breathes and supports sustentation things like only the handmaids can know. This is a sharp lineage to the grim dark reality of artificial Gilead, and suggests hope not only in Offred, who notices these signs, but also in all the lives that have been affected by Gilead. The other theme illustrated by imagery throughout the novel is that of children, as Gileads whole affair revolves around the production of children. Since the evil of her own child is a matter of great importance to her, Offred has her own images of children ? which emphasise the repulsive force of a mother losing her child. She also sees such imagery in the environment around her. virtually things seemingly trivial such as mens urinals, which she precept in the Red Centre, are in fact symbolic, and in her eyes babies coffins. The image of children is give on the handmaids themselves, they are taught and treated like children at the Red Centre. This is also the cause of Offreds own images of children. Chapter 13 includes a rush that is a recollection of Offreds past when the handmaids are Testifying. The handmaids deal by reciting verses and chanting the lessons given by the Aunts, and have to raise their hold to ask of something from the Aunts. This is a very childlike way of clear accepting the age of the handmaids, and they are treated like this to the extent that they are prisoners. They are helpless to the rules and slump of the Aunts. This is illustrated in the passage by the unfortunate episode when Dolores is agonistic to wet the floor just because she is not given authorization to go to the bathroom. But the handmaids result to it is childish behaviour, an example of this is the way they chant Crybaby of their own accord when jeering at Janine in the same lesson. Some, like Janine herself, become part of the system. The society of Gilead is brutal but patently realistic, as we can take aim the factors leading to it are for the most part political. However, factors such as a nuclear final solution causing or at least contributing to a declining birth rate of Caucasians (as well as the decline itself) are also issues that are not foreign to us in todays society. We are given a terrifying moral forecasting which by no heart and soul is taken so disadvantageously as to be considered the future, but is realistic enough that we consider the implications. The purpose of the historical notes may have been to reveal many parts of the history of Gilead, but it certainly conveyed the message, that we must learn from history, which is not an unknown philosophy. That we dont is not the point, but that we try to understand and learn from it is most plausibly what Margaret Atwood was trying to convey in the end. If you want to get a full essay, order it on our website: Ordercustompaper.com

If you want to get a full essay, visit our page: write my paper